For example, Altered Locrian b4 that is identical to the Locrian Scale except for the flatted fourth. As we touched on a few issues back, the Altered Scale is the 7th mode of the Melodic Minor Scale. Altered scales include one or more notes that is lowered or raised compared to its main variation. Altered Scale in B is a minor scale with flat second, flat fourth and flat fifth intervals. It's called an Altered Dominant scale because it's a Dominant scale that includes the altered versions of all of the non-essential tones of a dominant chord. It's a Locrian Mode with a flat 4 - but the second Eqn above makes sense of it, it's the notes available in an altered dominant chord, laid out in a scale. The most obvious example is as IV chord (e.g. Altered scales are often used over altered seventh chords, e.g. C Altered. Backing Track Listen & Play Along That’s what I am using here in this next example. G7 sharp 5, of C7 flat 9, etc. The altered scale (often abbreviated to “C7alt.”) can be played over dominant 7 chords, because it contains a major 3rd and minor 7. Part of the series: How to Play Scales on the Guitar 5. The Solution below shows the Eb melodic minor scale notes, intervals and scale degrees on the piano, treble clef and bass clef.. So, on G7, you would play Ab melodic minor starting on G, and voila, you’re playing G altered. Altered scales are often used over altered seventh chords, e.g. Since the key of Bb appears on the Circle of fifths diagram as both a major and minor key, the Lesson steps explain both ways of constructing this blues scale for this key:. It’s basically any melodic minor scale played from the 7th tone to the 7th tone (… in other words, instead of starting and ending on the first tone of the scale like you’d normally do, you start and end on the 7th tone of the SAME scale. The 1st construction, using the major scale, starts at Lesson 3.. Bb. C# Altered. D Altered. By altering one or more notes we aren’t changing the fact that these are five note scales. Eb Altered bb7 Uke scale (H,W,H,W,W,H,WH) on the soprano. Altered scales are based on the same principles as altered chords. It simply “locks up” a bit better. the altered scale … playing jazz using things about music you already know … jazz clinician mr. christopher burnett conn-selmer artist + clinician www.burnettpublishing.com. 1,2 In young children, ALOC may manifest as fussiness or irritability. The following are seventh chords built on the notes of the altered scale. The natural forms of the non-essential tones are not present in the scale. Don't know what a scale is? Space and melodic phrasing is demonstrated in the first four bars. View this scale in: G-Tuning (DGBE) D-Tuning (ADF#B) Slack-key Tuning (gCEG) The altered scale is actually the seventh mode of the melodic minor scale, also called Super Locrian mode. This melodic minor scale is based on the natural minor scale with the same key / tonic note - Eb natural minor scale. The altered scale is actually the 7th mode of melodic minor. I think that using the altered scale is often perceived as “advanced” harmony. These notes can be used to create tension alongside the chord tones of G-B-F. Once you’ve got a handle on the scale, let’s move on to some licks. To be clear, scales are good for note choices to help make melodies, but we aren’t just playing scales when we improvise! F major in the key of C), but the Lydian mode can also work well over a I chord. They are in most cases much less used than the main versions. VI. The Lesson steps then describe how to identify the E-flat melodic minor scale note interval positions, choose the note names and scale degree names.. For a quick summary of this topic, have a look at Melodic minor scale. What’s the fingering for this scale? The altered scale features 3 of the 4 chord tones of a dominant 7th chord (1, 3, and b7) plus all the extensions of the chord altered. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and minor seventh and that all other chord tones have been altered. b4. Now that we know the notes of the E flat minor scale (natural), we now take a look at the E flat harmonic minor scale. On the first note: half-diminished seventh chord (minor seventh chord with a flat fifth, e.g. This tells us that it is a part of the Ab melodic minor/ G Altered scale and we can also see that it is a good fit for the G7 with an F and a B in there. 3. b5 #5. b7. Standard Tuning (gCEA). This makes the scale D–Eb–F–F#–Ab–Bb–C–D. SYNTHETIC Scales: Scale Name: Spelling: Major Scale Reference: C Whole Tone C,D,E,F#,G#,Bb = 1,2,3,#11,#5,b7 C Diminished C,D,Eb,F,Gb,Ab,Bbb,B = 1,2,b3,4,b5,b6,bb7,7 The super-Locrian scale (enharmonically identical to the altered scale) is obtained by flattening the fourth note of the diatonic Locrian mode: Another way to obtain the altered scale is by thinking of it as the 7th mode of the melodic minor scale. This scale is also known as: The 7th mode of the C Melodic Minor Scale. Harmonic Minor; Phrygian Dominant; Dorian (alternate) Mixolydian (alternate) Chord Progressions. Connecting to the basic G Altered Scale. The Altered scale is also known by the following names: Diminished Whole Tone, Super Locrian. b7. If you start this scale on the Eb, the second step, it’s the same as the Eb melodic minor scale Eb–F–Gb–Ab–Bb–C–D–Eb. A G Altered scale consists of G, G#, A#, B, C#, D# and F notes. It’s called the ‘altered’ scale because every extended harmony note that can be altered (9, 11, 13) has been altered (b9, #9, #11, b13): The altered scale is also known as the Pomeroy scale after Herb Pomeroy (Bahha and Rawlins 2005, 33; Miller 1996, 35), the Ravel scale after Maurice Ravel, and the diminished whole tone scale due to its resemblance to the lower part of the diminished scale and the upper part of the whole tone scale (Haerle 1975, 15). The Superlocrian Scale. I call this a shortcut for a reason. This means it lacks a major ninth, a perfect eleventh, a perfect fifth, and a major thirteenth. The Altered Dominant Scale. E Flat Harmonic Minor Scale. A altered Eb F G ... Gb Ab Bbb=A F altered Cb=B Db Eb F 2. Eb Altered bb7 Uke scale (H,W,H,W,W,H,WH) on the soprano. Gb. Altered Pentatonic. 1. Equation 2 (ALT) 1. b9 #9. Let us take a look at a C altered scale: C, Db, Eb, E, F#, G#, Bb. So, G Altered comes from Ab Melodic Minor…that means G Altered is Ab Melodic Minor starting on G! b6. The Altered Scale is actually a mode of melodic minor. The Altered Scale (also known as the Super Locrian, Diminished Whole-Tone, and Dim-Whit scale!) SECTION o APPLIED JAZZ CLINIC + LESSON PLAN (21 PAGES) You learned, step-by-step, how to play the altered scale. In jazz, the altered scale or altered dominant scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered. Adim = A, C, Eb). To find the appropriate notes for an altered scale, simply go up a half step from the root of the chord and play the ascending form of the melodic minor scale (a major scale with a flatted third). The 5th of E7 is B natural, but in the altered scale the 5th has been flattened to Bb. Now go practice. See the diagram: PDF: 7th Modes Ab Major and Mel Minor. Altered scales most commonly appear over dominant seventh chords that resolve to the root. We have one straight minor pentatonic scale: Bbm – Bb Db Eb F Ab Bb. The Altered Dominant Scale. Altered scales Altered scales include one or more notes that is lowered or raised compared to its main variation. 108.185.42.185 05:15, 27 May 2013 (UTC) Altered Scales work over chords built on the 5th note in major keys because they contain the common chromatic passing tones used as alterations. chords that sound good with an Eb Altered scale, http://www.outsideshore.com/music/educational-materials/primer/melodic-minor-harmony/#AlteredScale, http://en.wikipedia.org/wiki/Altered_scale, http://en.wikipedia.org/wiki/Musical_mode#Other_types_of_modes. The Altered Dominant Scale, Part 1 In this lesson, Chad takes a little digression from the path he’s been taking, with a lesson on the altered dominant scale, which is used in modern and mainstream jazz. The B altered scale serves as a passing scale to the 3 chord on the key of C.. Bass LH RH B A Eb G B altered scale There are seven ways to alter a basic major pentatonic scale. For instance, in a G7(b9)sus to Cmin7 progression, a G Phrygian (same key center as Eb major, 3 flats) works well. The altered scale is the 7th mode of the melodic minor scale, which means that it is like playing Ab melodic minor starting from the note G. The altered scale is used to solo over dominant 7th chords, both in major and minor keys. F, Gb, G#, A, B, C# Eb, F Nomenclature-wise, I prefer this spelling due to lowered/raised ninths, raised eleventh, and the raised fifth (as opposed to a lowered thirteenth [Db]) encountered in the F alt 7 chord. You have to skip over two scale members in an Altered Dominant scale to get from the root to the third of the dominant chord because there are two ninths, which means a C Altered Dominant scale has two D's, spelled Db and D# (not Eb). Cb Altered. Also known as the altered dominant scale this mode has every non essential tone altered. What I mostly have heard about the altered scale is how people keep telling me it is difficult and probably the name makes it stand out. These are: The C altered scale is also enharmonically equivalent to the C Locrian mode with F changed to F♭. highest pitch string at the top (unless you've tuned your instrument differently.). Super Locrian is sometimes just called Altered Scale (but it is not a great name since there are more altered scales), while five of seven notes have been altered in comparison to the normal notes in the major keys. The only thing that is tricky is the function it has most of the time: To sound out of place. Try playing example 1 to establish the C major context in your ear. But in the end it is of course just a set of notes like any other scale and no more difficult than the rest of them. For this reason, the altered scale is sometimes called the super-Locrian scale or the Locrian flat four scale (Service 1993, 28). Learning The Altered Dom7th Pentatonic Scale. In jazz, the altered scale or altered dominant scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered. Chords that sound good with Eb Altered scale(s) JGuitar's harmonizer allows you to easily identify chords and scales that will sound good when played together. Altered Scale in All Keys you’ve probably played some and I’m certain you’ve heard of them.. but what exactly are we talking about here? So, the theory for the altered scale is 1, b9, 3rd, #9, #11, b13, and b7. So, whenever you see a dominant V7 chord to I written within a chord progression you can play an altered scale over the dominant chord. Four-note chords on the altered scale. G Altered = G-Ab-Bb-B-Db-Eb-F-G . Coming from the Ab Melodic Minor scale, the G Altered Scale is G-Ab-Bb-B-Db-Eb-F. Notice that it has the B natural, which works nicely on the V chord (G7) but also has an Ab (b9), Db (b5) and Eb/D# (#5). To play a harmonic minor scale, you simply raise the seventh note of the natural minor scale by a half-step as you go up and down the scale. Watch my lesson about Altered Harmony if you don't get it. Then the theorist comes along and says "OK let's call all those notes the altered scale". Find guitar scales using graphic interface. The notes that are contained in that scale are: F Gb Ab Bbb Cb Db Eb In jazz and progressive rock, the altered scale or altered dominant scale is a heptatonic or 7 note scale that is a dominant scale where all non-essential tones have been altered. E-flat melodic minor scale. The altered chord is a dominant th… I then give some of the possible chords that this new scale will work over. Altered Scale in B is a minor scale with flat second, flat fourth and flat fifth intervals. G7 altered is the same as Ab melodic minor: Ab Bb B Db Eb F G Ab. So, the theory for the altered scale is 1, b9, 3rd, #9, #11, b13, and b7. Fb. Scale diagrams can also be labeled with either letters or scale degrees. The Altered scale is also known by the following names: Diminished Whole Tone, Super Locrian. G7 sharp 5, of C7 flat 9, etc.. Use the altered scale with the same root note as the dominant chord, e.g C altered scale over a C7 sharp 5 chord, or an F altered scale over an F7 sharp 9. The Pentatonic scale is one of the first things we learn. SYNTHETIC Scales: Scale Name: Spelling: Major Scale Reference: C Whole Tone C,D,E,F#,G#,Bb = 1,2,3,#11,#5,b7 C Diminished C,D,Eb,F,Gb,Ab,Bbb,B = 1,2,b3,4,b5,b6,bb7,7 Show me chords that sound good with an Eb Altered scale. But, as with most things, it’s easy when you understand it. The altered scale is made by the sequence: The abbreviation "alt" (for "altered") used in chord symbols enhances readability by reducing the number of characters otherwise needed to define the chord and avoids the confusion of multiple equivalent complex names. 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