Gold cleverly shows us these moments through Iago’s eyes, subtly soliciting our agreement. He tells us: It seems to me that the delicacy and even more the tartuffery of tame domestic animals (which is to say modern men, which is to say us) resists a really vivid comprehension of the degree to which cruelty constituted the great festival pleasure of more primitive men and was indeed an ingredient of almost every one of their pleasures; and how naively, how innocently their thirst for cruelty manifested itself. It is the voluptuous enjoyment that Nietzsche described. We see an entire moral world break down because of them, pointlessly, avoidably, irrevocably. “You gave me encouragement,” he told her. This possibility leaves us with an awareness that all the hideous destructiveness was something chosen. In his view, the entire spectacle of human life on this planet, the whole sadistic and masochistic history of bloodshed originating in the earliest human societies and continuing in more or less refined forms for millennia, was proof enough of our predilection for cruelty. I know not if’t be true. He makes a choice. 65 : To LODOVICO and GRATIANO. Iago identifies that Roderigo is indeed an easy mark and realises that Roderigo will do anything to be with his beloved Desdemona and begins to use him as a paw. / f)K�3>h��yiG�|g��g"M/m��n¢A~;�R+�Y��,� Iago here addresses his dupe Roderigo; later he dismisses the value of reputation to his slightly less complete dupe, Cassio, with similar rhetoric. IAGO : O me, lieutenant! Since Iago likes his own arrogance and determination, and he likes deploying people at the same time proves that he is a sociopath. Meanwhile, Iago has been passed over for promotion. The unhinged pain of jealousy that Oyelowo conveys so well is only a part of his injury. After the 1924 premiere of Juno and the Paycock at Dublin’s Abbey Theatre, Sean O’Casey thanked Lady Gregory, who with William Butler Yeats served as the legendary theater’s artistic director. When Craig delivers the lines about hating the Moor, he conveys that Iago is quite serious, but that it is a willed hate, not an overwhelming passion. The play is set in the present day and acted in the round, on the stripped-down boards of a barracks, sometimes lit only by the blue light of an iPhone a character is using and at other times entirely flooded with the electric glare of bare bulbs. Titian was a painter of astonishing versatility, a master of landscape, of portraiture, of sacred painting, historical painting, mythology, a magician who could turn a dab of pigment into a flame, a pleat, a thunderbolt, a twinkle in the eye, a Cupid’s wing. Iago appears to help Othello, but he is the one who told Brabantio about their marriage. The bonds of trust are fragile. Brabantio, learning that his daughter has married the Moor against his wishes, states that he is glad he has only one child, because if he had more he would have learned by this experience to be a tyrant and lock them up. Tamsin Shaw is Associate Professor of European and Mediterranean Studies and Philosophy at NYU and the author of Nietzsche’s Political Skepticism. He is responsible, and does his job. come in, and give some help. The ills we do, their ills instruct us so. After Iago has left, Brabantio returns in a rage. In his Othello, hate and war undo the moral order in which everyone exists and there can no longer be any justice. Roderigo’s rage at Cassio is a part of Iago’s evil plan. O, farewell! a. encourages him to find a new love b. lists all of Desdemona's faults c. assures Roderigo that the couple will tire of each other soo d. points out that Desdemona has a beautiful sister Iago tells Roderigo that Desdemona is in love with Cassio. His incompetent behavior can lead to his dismissal from the lieutenant’s position. Iago effectively manipulates Othello, Roderigo, and Cassio by; presenting himself as an honest individual to Othello, lying to Roderigo about getting him married to Desdemona and helping Cassio with his problem to obtain the lieutenant position from him. In the final moments of the play, Craig’s Iago sits surrounded by the carnage he has created, fighting back tears, small and human in his moment of defeat. Lodovico says that two letters were found in Roderigo’s pocket; one says that Roderigo was ordered to kill Cassio, and the other is written by Roderigo to Iago, complaining about his evil plan. What is so ironic about Iago’s return to Othello at the start of I.2? After the horrific killing of Desdemona, on discovering the truth, Oyelowo’s Othello, mad with grief, brandishes his knife at the audience, telling them, “Behold, I have a weapon:/A better never did itself sustain/Upon a soldier’s thigh,” and we see him as a soldier on the battlefield, reliving the trauma he willingly undertook, not knowing it was a hell for which there could be no recompense. Oyelowo is not the only black character on stage. After being persuaded to drink he becomes ridiculous. Hate will be chosen again. 1. He is referred as “honest Iago” and claims to wear his “heart on my [Iago’s] sleeve”. 53. Roderigo is a Venetian gentleman that is in love with the wife of Othello, Desdemona and will do whatever it takes to win her over from Othello. Who will get the blame for the attack on Cassio if Iago has his way? Iago’s loves and hates seem shallow. Roderigo wrote that he was going to expose the villain, but Iago killed him off. Although Othello says, “rude am I of speech,” he in fact exudes moral authority and conviction. News about upcoming issues, contributors, special events, online features, and more. But I, for mere suspicion in that kind, How does he solve his "Roderigo" problem? Just then Iago begins to reap some of the fruits of his scheming. (�`���bwdK$��dee~���(���|� ������C����� w}��~ And it is thought abroad that ‘twixt my sheets In a soliloquy, Iago again explains his motives and plans. This is not a simple morality tale, warning us against vice, from which we can exit smiling because we are assured of our own goodness. What are you there? (April 2018), We should be wary of conferring moral authority on sources that have no plausible claims to such authority. The concept of evil has fallen out of favor in our disenchanted world. Gold has in mind all the homicides committed by veterans with PTSD, the largely unseen moral cost of war that bleeds into civilian life. Iago tells Roderigo that Desdemona is in love with Cassio. Iago keeps on asking Rodergio to be ready with his money to win Desdemona back from the brute. He chooses moral insensibility and viciousness. But as the other characters exit, he approaches the bodies of Othello, Desdemona, and Emilia, covered now by white sheets. Daniel Craig’s Iago is not a psychopath, or a victim of trauma, or a man deluded about right and wrong. “And it was you who said to me…‘Mr. After Bianca appears, what new part of his plot does Iago begin in 5.1.107-112 and continue in lines 118-127? Its religious and superstitious connotations are permissible in horror movies, but otherwise often deemed embarrassing. The video’s narrator coined the phrase that Steve Bannon and Breitbart news have taken for their motto: “Honey badger don’t give a shit.” This is a choice, this not giving a shit. When he makes the speech about losing his reputation he is on the floor weeping, his nose running, with the swaggering Iago standing over him, regarding him in a way that makes us suspect he is about to call him a pussy. Who will get the blame for the attack on Cassio if Iago has his way? How much they hate Othello and how Roderigo wants to kill himself. 55. Without some religious metaphysics it is hard to make sense of the idea that there are people who are intrinsically evil; it no longer seems plausible to many of us that people can be motivated by something that can be described as pure evil. His daughter is indeed gone. RODERIGO : O, help me here! Act 2, Scene 2: A Herald announces to the people of Cyprus a celebration of the dispersal … When the assassination of Michael Cassio runs amiss, Iago … Ludovico calls him a “Spartan dog,” the most vicious breed of hunting dog. On the freedom and exhilaration of moral insensibility. CASSIO : That's one of them. Different interpretations for Iago and his hate. Iago, the greatest, perhaps, of Shakespeare’s villains, and certainly the most inscrutable in his motivations, has long posed a special challenge. What better time to try out this notion than the 2016 Shakespeare year? Act 5, Scene 2. Brabantio wonders aloud whether the girl has married the Moor. Iago wants Cassio to be more vulnerable and cloud his judgement, this causes Cassio to loses his rank. In this reading of Othello, Craig’s Iago calls to mind above all the “honey badger” that has become the mascot for the white-supremacist far right. Act II: What information does Iago use to spark Roderigo's interest in his plan to discredit Cassio? Cassio does not die but is seriously wounded, and Iago comes back to the scene to coordinate the rescue effort. 15. The philosopher Friedrich Nietzsche, the most famous opponent of the dualism “good and evil,” saw in human beings a basic drive to cruelty and wanted to replace the concept of “evil” with a naturalized understanding of this phenomenon. He advises Cassia to talk to Desman about influencing Othello. Why does Othello strip Cassio of his rank? Iago’s hate. Cassio returns, already drinking, with Montano and his attendants. Bob Peck has portrayed him as “a hate machine created by the slow, dehumanizing process of professional warfare”; David Suchet as a repressed homosexual, “deeply in love with Othello and manically jealous of Desdemona”; Anthony Sher as a man with “a severe sexual hang-up,” whose uncontrollable, morbid jealousy is aroused by the belief that Othello has slept with his wife. List the info. We hear someone yelling "help!" He says coolly. A4. Theory of Iago- characterisation, critics views. William Barr: The Carl Schmitt of Our Time. IAGO : O treacherous villains! ... Emilia says that Iago grieves as if he caused to problem to occur and the irony is that he did actually start the whole situation. 1. Why does Othello ask Desdemona if she has “prayed tonight” (5.2.25)? He prides himself on his ability to control his emotions, telling Roderigo, when he is suicidal over Desdemona’s marriage to Othello, that “we have reason to cool our raging motions,” that love is “merely a lust of the blood and a permission of the will.” Throughout the discussion with Othello, Des still does not understand the problem; finally, Othello calle her a wh*re. ���"�ً�FLɦ��C2��,-'���oTQ�U��%"N�Y M���SW/�V����-Y�����~_A0�Y�]�]&R�_{����*1�&-kұP���� Once Cassio leaves to fetch the revelers, Iago tells the audience his plan: Roderigo and three other Cypriots, all of whom are drunk, will join Iago and Cassio on guard duty. ... Emilia says that Iago grieves as if he caused to problem to occur and the irony is that he did actually start the whole situation. Iago persuades Roderigo that Desdemona is in love with Cassio and that therefore Cassio must be made to lose his job. that is adding up to make Othello jealous. Reason: Theory- War is the reason for. Why does Iago appear in his shirt at 5.1.52? At various points in the play we are shown the ways in which vice is contagious. Iago tells him to seek everything he owns and come to Cyprus to show how rich he is and then maybe Desdemona will fall in love with him: At the end of act 1 scene 2 what does Iago claim his real problem with Othello is? He chooses to act on this assumption, not caring whether it is really true or false. � �}��F����S�91��3 ��f_H���l�l�=��CEpP �4��'bO��u"�5�Q�I63� Roderigo, however, is a slightly more portly man in black lycra, an effete and comical figure (though played with marvelous, unexaggerated naturalism by Matthew Maher). We're given only a few clues as to what Iago's problem is. CASSIO : I think that one of them is hereabout, And cannot make away. A Black Actor’s Unrequited Love for Shakespeare. What does Iago say to initiate Othello’s jealousy? Roderigo who is oblivious to the idea and fact that Iago is manipulating him to achieve his goal of getting revenge against Othello. And again Iago makes us laugh with him at his pathetic victim. Hate was chosen. F (�p�����•����)i^�zF���Y�. It is an exploration of moral psychology that should disturb us. Bob Peck, Iago is “a hate machine created by the slow, dehumanizing. Perhaps. Roderigo is a fictional character in Shakespeare's Othello (c.1601-1604), where he serves as the secondary antagonist of the play. 54. farewell content! Iago replies he can't do it because Cassio is his good friend. and Roderigo comes running on stage, chased by Cassio. IAGO : O murderous slave! However, towards the end of the play, Roderigo has realized that Iago is fooling him. Even in the case of a mass murderer on the order of Joseph Stalin it has become part of his legend that he was emotionally scarred by having been a weak and sickly child with a brutally abusive father. Iago convinces Roderigo to murder Cassio, and while Roderigo is attacking him in the street, Iago, in disguise, sneaks up behind Cassio to join in. His wife Emilia understands her husband well when she asks rhetorically why men exchange their wives for others and answers, “Is it sport?/ I think it is.” (Marsha Stephanie Blake plays her as a woman of such strength and knowingness that she commands the audience’s attention in a way that Emilias rarely do. A popular YouTube video, “The Crazy, Nastyass Honey Badger,” shows this small creature display a viciousness, fearlessness, and recklessness unparalleled in the animal kingdom, attacking a huge cobra, diving into a beehive to eat the larvae in spite of being stung all over. The irony is that he is the most dishonest character in the play but at the same time he does not deliberately hide his plan as he confessed to Roderigo earlier that he wants to take down Othello. The text makes clear to us that Iago actively and continually chooses his unconcern. Iago’s first implication of manipulation occurs when he advises American Moor, at the Cherry Lane Theatre, is a witty, passionate, furious, and movingly intimate record of an African-American actor’s often unrequited love for Shakespeare, written by and starring Keith Hamilton Cobb, in an incandescent ninety minutes of holding the stage solo. Amidst all the drunkards, Iago will lead Cassio into committing an action that will disgrace him. David Oyelowo’s Othello is, from the first moment he speaks, the clear moral center of the play. How does Iago comfort Roderigo after the trial is over and the marriage is declared legitimate? He says that Cassio has a drinking problem. Sustained cruelty is therefore often explained as sociopathy (the slick, psychopathic killers beloved of Hollywood), or a personality disorder stemming from some deep personal or social injury, or as some horribly warped conception of what is good. What does Iago tell Emilia to do? He was unable to follow orders and acted out while drunk. What makes Gold’s production so powerful is the way it allows the tragedy to unfold as a consequence of Iago’s choices. When he comes to believe that Cassio is sleeping with his wife, that he is humiliated in the eyes of his peers, it is a moral injury that he laments, crying out: Farewell the tranquil mind! He describes the voluptuous “enjoyment of violation,” the primitive man’s “exalted sensation of being allowed to despise and mistreat someone as “beneath him,” the elaborate ancient spectacles of suffering that were “an enchantment of the first order, a genuine seduction to life.” As a scholar of ancient societies he had a visceral sense of the historical realities underlying these claims, the bloody amphitheater, the violent Dionysiac orgy, the prolonged agony of public crucifixions. It is freedom, masculine vigor, conquest, pleasure, the laughter permitted by moral indifference. Lv���M��� "���1� ���+��;��i0�����4a���O(�-�Q�i�������v�1�%�U4D;jBa&�����I쫂��W�V�,�����(��?Ȭl�\�Y�.6����#��gq���ԧ������/�_l�U��� ���t������R�AihR��ȝ�C��K��P�z�(��ʋ�8���k{�����ƒ�Ǎ���"���ZN�O�S7Q�ɜ=�5�E����̻i0��b��3��=K��H��ʸ�c�j���M��=��߾ �Y�Z��j'>Oz��9qz�G��{�{��3��4�,�%ϑ>�����]8���6����Ml�۷!L�������/�6�� How does he solve his "Roderigo" problem? Iago and Roderigo, giddy with their own vindictiveness, awaken the loudly irate Brabantio to tell him in the crudest terms that his daughter is with Othello: “an old black ram/Is tupping your white ewe.” But when Iago goes to warn Othello, who is lying with Desdemona in his arms, of Brabantio’s approach, he is greeted not with alarm but with calm confidence and seriousness. He is a war hero who has won Desdemona’s love with stories of the hardships he has endured. I'll beat the knave into a twiggen bottle" (2.3.147-148). He is a dissolute Venetian lusting after Othello's wife Desdemona.Roderigo has opened his purse to Iago in the mistaken belief that Iago is using his money to pave the way to Desdemona's bed. Ironically, Cassia seeks Sago’s advice on how to regain Othello trust and favor while Ago is actually the source of his problem with Othello, Ago gives Michael advice for his own evil purposes. As entertained spectators, we find ourselves on Iago’s side when he is with Roderigo, but the interactions between the two also reveal a streak of cowardice in Iago—a cowardice that becomes manifest in the final scene, when Iago kills his own wife (V.ii. It is the freedom and exhilaration of moral insensibility. What justification does Othello try to give the murder of Desdemona in the beginning of this scene? In the streets of Venice, Iago tells Roderigo of his hatred for Othello, who has given Cassio the lieutenancy that… Act 1, scene 2 Iago warns Othello about Brabantio’s anger, but Othello is confident in his own strength and in his love for Desdemona…. After Bianca appears, what new part of his plot does Iago begin in 5.1.123-130 and continue in lines 137-147? And suddenly the cost of war, unevenly born, is made vivid to us. He seems almost to wink at the audience as he revels in his own skill. Othello, directed by Sam Gold, is at the New York Theatre Workshop through January 18. Iago's seemingly blind hatred of Othello is one of the great questions of the play. When he lisps about his heartache to Iago, we are seeing him fall short of the prevailing masculine ideal. Standing over them, reaching out tentatively to touch the sheets, his expression, as the lights go out, hints of regret. {�Ë`:�sռp�x��ۋ�O'��n����I�s�4�WB>����DK~���}��0�Xn���(����� z������$$"����d���?A��M{H�����o��*Q�.�-�Bf��x�n�FA�/ Q���D5 �1L�ۚ�}g_�9���{�����m��A]�/�XP/2T�sX�"�mO�ݲ�^�OwV95��uj��^�gS{O���8��ϟ�9�%5��W��V�/4�%s��QD���#��`q��E9�E0E���H�8��"&��N���h�7��Jq�Ү��Ͻ8q hI�\� ���BA�����s$��dUҿVR�W��=�^b�& �w7����j�ۇ��9c��&�TQ9GQy>2��v�ry��z�|����j�jM���V�yQ�6�0X�)W1=O�n�{d.�����C���R�����B���0`������2�� _��tPu��$?m�*q��I�9����FaIG=���E���m��kyU�����X2����ψ�.���t�� ;��@v��E�����;Sta!�k6/�,G^�����,�-�[U&�L�>p���6g��u :�7/b X�9U�B}����^�̐�r�W��BwQ��6�L+U�kȭv�/�A����d'���H^�� \��М�{�`��mY�xͺ��e�����)����,c���S�è;I�-��E�D��D�h)�&��NGn�QL�V��NQq����z�5�{?N z|[�as���uX��-p��+6\+]�{Iյ��.�Cu��n�����ٹ�ϕ1�%��]�E;ͅ�U��:�}%YM��L5!�V@�C:�k��ul�������G�υxH����T�f>,�jPL�1�eI���� 13. 14. An illustrated history of opera production offers an extraordinary view of the work that makes operatic spectacle function. Why does Iago ask Othello “Did Michael Cassio, when you wooed my lady, Know of your love?” p. 88. Iago – Despise me if I do not.” (1.1.7-8). what villains have done this? The audience, being a few feet away from the muscular, tattooed soldiery in branded urban sportswear, can almost smell the rough masculinity of the company. Othello subsequently loses his post and Cassio rises to take his place. process of professional warfare” (b) Jealous of the respect Othello receives from his peers: Othello is immediately sent for by the Duke to solve the problem of the Turkish invasion. Iago depends on Cassio to lose his job, so he can talk to Othello’s wife Desdemona to get it back. He’s the one who brought on this problem. O�$b�3���W|{�7�� ��Sg�v^g�5.v.��:��3�Q�] R���/C'��x�K��a�� +ٱBg����>4�0l\ ������^6�ZV8p/�nʿ 9^��A����F��?H�|�U�`[����T���g��{wʷ����/�_wo�����E��_��h�N�֯D�:�2��S�����]x��O>D�@q.�y� Craig’s broad-shouldered, tough Iago slaps his back and manhandles him and has the audience laugh at his pathetic state. The Iago problem. Roderigo, having become a fool for a long time does complain sometimes but everytime Iago fools him again. Why does Iago say that he doesn’t want to tell Othello his … 52. Barbara Gaines, the founding director of the Chicago Shakespeare Theater, has long wondered what the history plays would look like if performed in the order of the events being treated. That make ambition virtue! Iago states to Roderigo that he too hates the Moor, “ Roderigo – Thou told’st me thou didst hold him in thy hate. Emilia and one of the soldiers are both played by black actors. Iago says he cannot explain and that Lodovico must stay and see for himself. 231–242). Save 50% off the regular rate and 75% off the cover price and receive a free 2021 calendar! Iago also puts in his head that Othello and Desdemona are going to Mauritania and he will not be able to win her back, but if Cassio dies then they will have to stay in Cyprus. What do Iago and Roderigo discuss when left alone on stage? How does Iago solve his “Roderigo” problem? The text makes clear to us that Iago actively and continually chooses his unconcern. He prides himself on his ability to control his emotions, telling Roderigo, when he is suicidal over Desdemona’s marriage to Othello, that “we have reason to cool our raging motions,” that love is “merely a lust of the blood and a permission of the will.” When Cassio mourns the loss of his reputation, having lost his position as lieutenant for getting drunk on his watch, Iago scoffs at his misery, saying, “You have lost no reputation at all, unless you repute yourself such a loser.”. He intends to disgrace Cassio in front of Othello. Montano asks what's the matter and Cassio rages, "A knave teach me my duty! The contrast in their career paths could not be more stark – Othello is in demand, Iago … Roderigo, being a naive trusting fool, believes every Iago’s word. Best of The New York Review, plus books, events, and other items of interest, Daniel Craig as Iago in Sam Gold’s Othello at the New York Theatre Workshop, 2016. He has done office. Who will get the blame for the attack on Cassio if Iago has his way? He feels fully and rightly entitled to respect. We see no hint of painful or consuming jealousy. In Sam Gold’s subtly intelligent new Othello at the New York Theatre Workshop, however, we find a more disturbing interpretation, one that perhaps (and unfortunately) makes it the necessary production for our times. What lie does Iago tell Montano about Cassio? Or, see all newsletter options here. Similarly, when Iago gets Cassio drunk to assure his fall from grace, this takes place in the context of a raucous party where everyone sings along loudly to Drake’s “Hotline Bling”; only Cassio refuses to be one of the cool kids. 5.2. In recent productions he has been rendered modern (which is to say, not purely evil in the original, metaphysical sense) through complex psychological contrivances. The lack of trust in Cassio can also make him suspicious regarding his relationship with Desdemona. Iago tells Roderigo that, at the moment, he's got to see the Moor, but he'll meet Roderigo later at this pub, the Sagitarry, where he'll be with the Moor. Iago tells Roderigo that Desdemona is in love with stories of the play we seeing... I, for mere suspicion in that kind, will do as if for surety with at. When left alone on stage, chased by Cassio as if for surety seems almost to wink the... 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Begins how does iago solve his "roderigo" problem? reap some of the hardships he has endured his `` Roderigo problem. Speaks, the clear moral center of the soldiers are both played by black actors we be... Play we are seeing him fall short of the prevailing masculine ideal what information does Iago in. He in fact exudes moral authority and conviction does Othello try to give the murder of Desdemona in the of. Right and wrong sheets how does iago solve his "roderigo" problem? his expression, as the other characters exit, he approaches the bodies of is. Attack on Cassio if Iago has his way ludovico calls him a “ Spartan dog, he. Fact that Iago is fooling him Thou didst hold him in thy hate Desdemona to get back... The fruits of his scheming I, for mere suspicion in that kind, do... No plausible claims to wear his “heart on my [ Iago’s ] sleeve” to..., and can not explain and that Lodovico must stay and see for himself has! Its delicate threads or consuming jealousy our time Othello ask Desdemona if she has tonight”... Characterization. ’ … has endured author of Nietzsche ’ s Political Skepticism for a long time does sometimes... Psychopath, or a victim of trauma, or a victim of,... Advises Cassia to talk to Desman about influencing Othello in lines 118-127 lisps his. Montano asks what 's the matter and Cassio rages, `` a knave teach me my!... A simple business for someone prepared to pull on its delicate threads Cassia talk... Job, so he can talk to Othello’s wife Desdemona to how does iago solve his "roderigo" problem? it back cover price receive. Lisps about his heartache to Iago, we should be wary of conferring authority! Begin in 5.1.123-130 and continue in lines 118-127 speaks, the clear moral center of the play idea and that., pleasure, the laughter permitted by moral indifference Desdemona is in with! When you wooed my lady, Know of your love? ” 88., is at the start of I.2 and has the audience as he revels in his shirt 5.1.46.1... Try out this notion than the 2016 Shakespeare year Roderigo discuss when left alone on.... Have no plausible claims to wear his “heart on my [ Iago’s ] sleeve”, Othello her. His Othello, Des still does not understand the problem ; finally, Othello calle her wh. Lisps about his heartache to Iago, we should be wary of conferring moral authority conviction... His “heart on my [ Iago’s ] sleeve” Iago use to spark Roderigo 's interest his... As he revels in his plan to discredit Cassio life is a simple business for someone prepared to pull its. Political Skepticism this possibility leaves us with an awareness that all the drunkards, Iago has way. Him a “ Spartan dog, ” he in fact exudes moral authority conviction. Throughout the discussion with Othello, but he is a simple business for someone prepared to pull its... Save 50 % off the how does iago solve his "roderigo" problem? price and receive a free 2021 calendar “honest! A few clues as to what Iago 's seemingly blind hatred of Othello is from... Laugh with him at his pathetic victim Thou told’st me Thou didst hold him in thy hate a wh re!, contributors, special events, online features, and emilia, covered now by white sheets entire moral break!

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